Biography
Canadian mezzo-soprano Gena van Oosten is a graduate of the Yulanda M. Faris Young Artist Program, where she participated in the 2018/19 and 2019/20 seasons. She was awarded the Vancouver Opera Kurt Sickert Memorial Scholarship in recognition of her dedication, musicality, and passion for music and opera.
Known for her vocal sensitivity, musicality, and feisty stage presence, Gena is the winner of the 2018 Metropolitan Opera National Council Western Canada District and the 2018 University of Toronto Concerto Competition. She holds a Master of Music in Voice Performance from the University of Toronto and a Bachelor of Music in Voice Performance from McGill University.
Her operatic credits include Berta in The Barber of Seville (Vancouver Opera, 2020), Rosina (Understudy) in The Barber of Seville, Flora in La Traviata (Vancouver Opera, 2019), Tisbe in La Cenerentola (Vancouver Opera, 2019), Eduige in Rodelinda (Opera in Concert, 2018), the First Witch in Dido and Aeneas (Theatre of Early Music), Erica in Barber’s Vanessa (Summer Opera Lyric Theatre), and the title roles in Handel’s Rinaldo and Giulio Cesare (Opera McGill).
Gena has also appeared as a concert soloist with Theatre of Early Music, the Mississauga Symphony Orchestra, and the Toronto Operetta Theatre, and brings extensive choral experience from her work with La Chapelle de Québec.
Driven by a deep passion for sharing music and storytelling, Gena has opened her own music studio, where she enjoys teaching a select group of students and nurturing their artistic voices through singing, theatre, and creative expression.
Repertoire
| CONCERT |
BRAHMS | Acht Zigeunerlieder op. 103
CHAUSSON | Chanson perpétuelle, Op.37
DEBUSSY | Trois Chanson de Bilitis
DE FALLA | Siete Canciones Populares Españolas
DELA | La Lettre & Spleen
DUNCAN | Dalila’s Soliloquy (1980)
DVOŘÁK | Písně milostné (Love Songs) Op. 83
HAYDN | Arianna a Naxos
HEGGIE | Of Gods and Cats
JANÁČEK | Zefka - The Diaries of One who Disappeared
KORNGOLD | Fünf Lieder, Op 38
MARTINU | Mother - Les Larmes du couteau
MONTSALVATGE | Cinco Canciones Negras
SCHUMANN | Frauenliebe und Leben op. 42
RAVEL | Chansons Madécasses . Chants Populaires
ROSSINI | La Regata Veneziana
WOLF | Trois Mignon
| OPERA |
BARBER | Erica - Vanessa
GOUNOD | Siebel - Faust . Stefano - Romeo et Juliette
HANDEL | Rinaldo - Rinaldo . Eduige - Rodelinda
HUMPERDINCK | Hänsel - Hänsel und Gretel
MOZART | Dorabella – Così fan tutte . Cherubino – Le Nozze di Figaro
ROSSINI | Berta/Rosina - Il Barbiere di Siviglia . Tisbe - La Cenerentola
VERDI | Flora - La Traviata
| ORATORIO |
HANDEL | Messiah
LANG | The Little Match Girl Passion
MOZART | Requiem
calendar
PAST PERFORMANCES:
AUGUST 29, 2020
Chamber Music in the Time of Covid-19 | Koerner Hall
To view this concert please click the link above
AUGUST 13, 15 | 2020 - POSTPONED DUE TO COVID-19
Dido, Dido and Aeneas (Purcell) | Highlands Opera Studio
FEBRUARY 13, 15, 20, 23 | 2020
Berta, Il Barbiere di Siviglia (Rossini) | Vancouver Opera
APRIL 23, 25, 26, 29, 30 | MAY 2 | 2020
OCTOBER 17, 19, 24, 27 | 2019
Flora Bervoix, La Traviata (Verdi) | Vancouver Opera
APRIL 27 | MAY 1, 2, 4, 7, 8, 9, 11, 12 | 2019
Tisbe, La Cenerentola (Rossini) | Vancouver Opera
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Member of the 2018/19 and 2019/20 Yulanda M. Faris Young Artist Program
Press
BERTA | Il Barbiere Di Siviglia | Vancouver Opera
“And a shout-out must go to Gena Van Oosten, for nearly stealing the show in the housekeeper Berta’s exasperated aria.” – Janet Smith, The Georgia Straight
“Gena van Oosten as the long-suffering maid Berta was lovely, and her aria on the mysteries of love was a great scene - full of men vying for her affections and falling over themselves to get close to her, she obliviously laments the fact that she’ll likely be alone forever. It was a charming touch, and performed beautifully by van Oosten who packs a big voice in a small, feisty package.” - Melissa Ratcliff, Schmopera
TIsbe | La Cenerentola | Vancouver Opera
“Last but far from least, probably the most laugh-generating pair in the opera are Clorinda and Tisbe, Cenerentola’s stepsisters. … (Clorinda) and Gena van Oosten (Tisbe) were so convincing in all their mugging, preening, and ‘coy’ flirtation, they remained essentially as likeable as they were amusing.” – Robert Jordan, Opera Canada
Eduige | Rodelinda | Opera in Concert
“Gena van Oosten played Eduige, Bertarido’s sister who is betrothed to Grimoaldo. She moved gracefully around the stage and sang with a naturalness and precision that belied the difficulty of her music.” – Matthew Timmermans, Opera Canada
Videos & Recordings
Chamber Music in the Time of Covid-19 | It is Dangerous to Read Newspapers
Mezzo: Gena van Oosten
Composed by: Patricia Morehead | Text by Margaret Atwood | Recorded in Koerner Hall
Chanson perpétuelle, Op.37 - Ernest Chausson
Mezzo - Gena van Oosten | Pianist - David Eliakis | 2018
‘Nun hast du mir den ersten Schmerz getan’ from Frauenliebe und Leben - Robert Schumann
Mezzo - Gena van Oosten | Pianist - David Eliakis | 2018


